DéTAILS, FICTION ET APPLICATIONS

Is it sacrilege to declare that the best-looking spectacle supériorité in Paris was shot by a couple of Italians? Bernardo Bertolucci and his cinematographer Vittorio Storaro bathe the French fonds – as well as the neoclassical edifices of Mussolini’s Rome – in relax blues and shards of allégé as sharp as the knives wielded against the le